Pages
Categories
Tag Cloud
- Abuse of Mythic Violence
- All's Well That Ends Well
- Americanism
- Aristocracy of Violence
- Art-House Audience
- Auteurism
- Casablanca
- Continuity Style
- Corrected Genre Films
- Degeneration of Aristocracy
- Evolution of American Cinema
- Film Analysis
- Form/Content Split
- French New Wave
- Frontier
- Genre
- Globalization
- Historicity
- History
- Hitchcock
- Hong Sang-soo
- ideology
- Kimchi Westerns
- Kyung-sook Shin
- Law
- Left's Self-Contradiction
- Left-Right Polarization
- Leone
- Liberty Valance
- Manchurian Westerns
- Mythic Space
- Mythic Violence
- Mythopoeic Imagination
- New Directors and Stars
- Nostalgia
- overdetermination
- Please Look After Mom
- Postwar American Cinema
- Reluctant Outlaw Hero
- Self-Reflexivity
- Slotkin
- spectatorship
- Structural Absence
- Structuralism
- Stylistic Consciousness
- Stylistic Self-Consciousness
- Stylization
- The Asian Western
- The Closing of the Frontier
- The Curry Western
- The Frontier
- The Frontier Motif
- The Spaghetti Western
- The West as Mythic Space
- The Western
- transformation
- Truffaut
- Vigilantism
- violence
- Virgin Stripped Bare by Her Bachelors
- Will Wright
- 강정
- 국가부채
- 김대호
- 김여진
- 대학등록금
- 드라마 산업
- 민주주의
- 영화 산업
- 음악 산업
- 정부회계
- 제주 해군기지
- 주민소환
- 최고은
- 회계공개
Education
Film Critics
Film Directors
Film Journals
Film Theory Sources
Libraries / Archives
My Links
My U-Tube
N7W
Scholarly Associations
Archives
Tag Archives: French New Wave
The French New Wave
Robert B. Ray in A Certain Tendency of the Hollywood Cinema, 1930-1980. “Between 1958 and 1963, when the movies everywhere were losing their audience to television, 170 French directors had made their first feature-length films. The annus mirabilis was 1959, which … Continue reading
netroller 