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Tag Archives: Liberty Valance
New American Cinema and After
The Closing of the Frontier, Disorientation, Left-Right Polarization Robert B. Ray, A Certain Tendency of the Hollywood Cinema, 1930-1980 Who shot Liberty Valance, Tom the outlaw hero or Ranse the official hero? Why is the question important? More accurately, why is … Continue reading
Posted in Film History, Film Noir, Film Theory, N. American Cinema, The Western, Thriller, Violence
Tagged Corrected Genre Films, Left's Self-Contradiction, Left-Right Polarization, Liberty Valance, New Directors and Stars, Stylistic Self-Consciousness, The Closing of the Frontier, violence
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